Dave Dorman Art Progressives: Recreating Classic Dave Dorman G.I. Joe Art
Dear Friends,
Most of my fans know that during the mid-’80s to the early ’90s, I worked with Hasbro producing G.I. Joe artwork for their Research and Development Department. This art was done as presentation for the Board of Directors to determine whether any particular character would move forward to future production. My task was to paint the characters designed as 3 1/2″ toys to look like real fighting G.I. Joe characters. None of this work was meant for publication, however, over the years, fans and collectors have seen some of this art via the Web or fan club communications. (One of the future projects I am hoping to get off of the ground is a collection of all of this unseen artwork into a G.I. Joe/Hasbro art volume. I will keep you up to date on information as this project progresses.)
I have many fans contact me directly about the art I did during this period. Recently one of those fans asked if I’d be interested in recreating some of those pieces for his private collection. This is not something that I normally do, but this particular fan showed so much enthusiasm that I thought that it might be fun to see how I would approach these paintings almost 20 years later. I took on his commission for the three recreations and now I present to you one of them as an art progressive:
Progressive #2:

The original landscape for this painting had a textured rock pattern that I applied with very thick gesso. I repeated that technique on this new board as well.
Progressive #3:
Progressive #4:

The b/g is almost complete at this point with the main figure clean so that when I add color to the figure, it will be unencumbered by underpainting.
Progressive #5:
Progressive #6:
Progressive #7:

With the basic tones being laid down in oils, I now begin the detail work with acrylics, starting with the head and moving downward.
Progressive #8:
Progressive #9:

At this point, I've completed some of the finer shadowing details and refinements with various shades of gray markers. You'll note final details on the ground and some color corrections for the background. The above is the finished piece.
This piece was 16″ x 20″ oil, acrylic and marker on gessoed illustration board. It is the exactly the same size as the original Hasbro artwork. If you have comments or questions about this piece, please feel free to post them here.
Many of my G.I. Joe fans have asked me about commission work or recreations. This is the first one I have ever done, and I did enjoy bringing back good memories of working with the artists and creators at Hasbro. I would certainly be happy to do more of this type of work if any of you are interested. Please feel free to email me directly at dormanart@yahoo.com or message me via Facebook
As always, I thank you for your time and interest in my work.
Dave
February 10, 2012 at 3:29 am
Thanks for sharing this! As a design/illustration student, I find these step-by-steps just precious. Interesting how you did the textured rock pattern.
February 10, 2012 at 5:21 am
Thanks. Gesso is a gift!
February 13, 2012 at 7:07 am
Dave,
Again, thanks for sharing the “how to” of your art. Do you by chance have a list of the characters that you might re-create? Or is there a place where we can see your unproduced character art? I see 8 characters (some were made into real toys) on page 80 and 81 of your book… any other place to go? I’m asking on behalf of Joe fans on hisstank.com
February 16, 2012 at 2:05 pm
Hi Felix,
I am willing to recreate any characters. As for all of the characters I’ve done for Hasbro, it’s about 150, so it would take me a while to make a list.
March 5, 2012 at 8:04 pm
Really cool stuff Dave, thanks for sharing some of your commission work with us!
March 5, 2012 at 8:08 pm
Thanks, Aaron. Appreciate it.
March 19, 2012 at 3:42 am
Why do you do the basic tones with oils and the detail work with acrylics?
Thanks!
March 21, 2012 at 6:13 pm
i would imagine it’s easier to get ‘finer’ details with the acrylics since oils can at times be a bit globby and hard to control in small, tight areas.
March 22, 2012 at 4:02 pm
Actually, I thin the oil paints so much that I get great detail with the oils as well. If you have any questions about my technique, feel free to ask me. I’m not secretive about my rather unorthodox methods!
May 23, 2012 at 8:03 am
awesome! thanks for sharing this with us 🙂 as a beginner in painting military and historical figures, i learned tons!
May 23, 2012 at 2:49 pm
Thank you for that.
July 14, 2012 at 2:17 am
I’m rather curious about the acrylic-over-oil thing, too. How do you manage to get the acrylic to stay put over an oil base?
July 14, 2012 at 5:10 am
Hi there Scott,
Because I lay the oils on fairly thin to the gesso board, there is some “tooth” to gesso available through the oil for the acrylic to hang onto; if the oil is laid on too thick, it causes a waterproof barrier, thusly, the acrylic has nothing to hold onto. Just use trial and error to figure out how thin you can go with the oil, but be sure to let it dry before you lay on the acrylic.
Dave.