Six Lucky Fans Will Come to My Home, See Me Paint and 1 Will Win the Painting

Dear Friends,

It all started this past Thanksgiving. We were with our friends, and my friend’s step-dad was very excited to meet me, have me sign my Rolling Thunder: The Art of Dave Dorman book for him, and then watch me draw the remarque and just generally hang out all day and talk art and pop culture. Our friends Mary and Julie lamented that this was a rare occurrence for a fan to have personal access to me, and that got this whole crazy ball rolling. Before I knew it, my wife, Mary and Julie had a night planned out at my house, with Julie cooking a gourmet meal (she’s great), and the fans getting unprecedented access to my studio, my collections and a chance to see me painting live and in person. That’s how this whole thing developed. So, we’ve worked out the logistics, such as when it should be held (April 14th, during C2E2, altho’ not affiliated with C2E2 in any way), how to get the fans here (by limo) and what we should include. I will do a live painting demo while everyone’s here, and one of the Lucky Six will win the painting. So…here’s the eBay auction under my wife’s account, which will award one seat per week for the next 3 weeks. I will also post an auction under my account, awarding one seat per week for the next 3 weeks. We will end up with what we’re calling the “Lucky 6,” or six fans, who will get an unprecedented backstage pass to my private world and art. If any of the winners are artists, they will also get a portfolio review, critique and all of the advice they could possibly want. Also joining us will be Discovery TV’s host of GEEK LOVE, and founder of Sci-Fi Speed Dating, Ryan Glitch and his lovely fiancee’ and business partner.

I also want to let you know that ROTOFUGI, one of the hottest, hipster galleries in Chicago for the Juxtapoz/Hi-Fructose magazines and designer toy collectors crowd, has invited me to do a one-man show from April 6th – 30th. I am enormously honored. The timing on this is wonderful, because anyone rolling into town for C2E2 April 12 – 14 can easily cab it over to ROTOFUGI for my one-man show. I’ve named the show Pi Ala Mode: A Tentacley Delicious Feast with Delightful Amuse-Bouches. As you might have guessed, there will be plenty of octopi-laden art, along with a backdrop of eclectic pieces, something to delight anyone’s palate and/or palette, from my 30-year career.

I will have more fun news to post in my next blog about some really fun and creatively rewarding upcoming projects. I’m under embargo not to discuss them until the companies I’m working with do their press releases, or I’d love to be telling you already. I hope all of you Star Wars friends reading this have picked up my latest Dark Horse Comics Crimson Empire book (#5 in the series of 6).

As always, I thank you for reading and for your time and interest.

Dave.

Building Your Foundation for a Future in Illustration

Dear Friends,

Last week’s post I have since removed from this blog. The post was badly worded, poorly thought out, and hastily written. And, unfortunately, it completely missed the point I intended to make. It also created a discussion completely off of my intended subject, and one that I had no interest in debating or pursuing further. I appreciate all who dropped in to read the blog and those who took the time to post some very thought-provoking comments.  I apologize to all those who took offense, and for those who missed it, let’s move on to more creative topics. (Dave waves his hand in the air cryptically and says in a low voice, “These are not the words you are looking for. Move on…”)

Next Topic: Maximizing Your Success By Learning Illustration Basics

When I was 19 and just learning my craft, one of the main things I  did was to draw…all of the time. I would sketch in bed, sketch at breakfast, practice at the drawing table, at work on break, and after dinner in front of the TV.  I had set a goal for myself to become the best illustrator I could, and  I knew I needed to work at my craft and invest as much time and work as humanly possible.

Dave Dorman Student Sketches, Circa 1979

Most artists have sketchbooks filled with the work product to prove it. Oddly enough, I have very few “sketchbooks” from that time in my life. The bound drawing paper-style sketchbook was way too restricting for me. It never laid flat, it was usually not good paper–at least not the sketchbooks I could afford as a student and military kid— and I could only review one to two open pages at a time.

Dave Dorman Student Sketch Sample #2

My solution? I discovered it was better for me to purchase packages of 5″x7″ blank index cards and use those for my work sketches. The paper was good and stiffer than sketchbook paper. It held up well for pencil, ink and watercolor. Buying a 500-sheet package was way cheaper than buying a 500-sheet sketchbook. If I was working on a series of images or thoughts, I could do them individually and lay them out like panels in front of me rather than flipping pages in a book.

Dave Dorman Student Sketches #3

As a student,  I produced literally thousands of these little sketch cards. I used them to

• Rough out ideas
• Work on form and structure
• Copy other artists to see how they worked out anatomy, body structure, and the dynamic figure.

This was my ongoing training daily, practicing my craft. Without this groundwork, I could not and would not be the artist I am today. For all of you students and up-and-coming illustrators, I believe the work you put into learning the basics will pay off enormously as you build your career. There is no magic or shortcut to it. Malcolm Gladwell’s book Outliers summarizes it in two words: 10,000 hours. I sat down one day and calculated how many hours I would have put int before I reached my first professional sale. 10,000 hours seemed about right.

Thanks for reading,

Dave.